Revue française d'études américaines n° 171 (2022-2)

Sommaire Émeline Jouve et Xavier Lemoine Introduction: Nakedness: the Empty Signifier of Contemporary Bodies in Performance? Marjorie Heins Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre Noelia Hernando-Real Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002) Michael Angelo Tata Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley's Constitutional Challenge Annette Saddik "On Performing Burlesque and Nakedness": an Interview with Lefty Lucy Laura MacDonald Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek Raphaëlle Tchamitchian "Showing Her Ass Off in Her Iron Cage": Dis(-re-)membering the Black Female Body in Suzan-Lori Parks's Venus Toni Sant Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore Julie Vatain-Corfdir Untitled Feminist Show: Nudity as Fluidity